Stomp is a non-traditional dance troupe (originating in England) that uses the body and ordinary objects to create a physical theatre performance.

Their show is a unique combination of percussion, movement and visual comedy.

Show times and tickets are available from TicketNetwork through the link below.

This one man show, choreographed and performed by The Artist Ali, explores the paralells between the life of a single artist and the evolution of art in America.

In one hour the audience goes on a personal insight into the different styles of dance in New York and throughout the world, including ballet, jazz, funk, vogue, modern dance and hip-hop. All the while sharing a compelling narrative on how these art styles have positively influenced and shaped the present day reality of an avant garde artist.

Presented as part of the Howl Festival, which celebrates local cultural icons and lionizes, preserves and advances the art, history, culture and counterculture unique to the East Village and Lower East Side. Tickets are available from Brown Paper Tickets through the link below.

German choreographer/performer Raimund Hoghe joined by Faustin Linyekula --- a young star from the Democratic Republic Of The Congo --- for a vibrant night of dance.

The evening begins at sunset Hoghe will perform a once-only performance inspired by the French Institute´s Le Skyroom. The site-specific work is a personal meditation on the events of September 11, 2001.

"Sans-titre" marks a unique partnership between Raimund Hoghe and Faustin Linyekula. The work examines the deeply rooted connections between people across age, culture and geography through Hoghe´s nuanced, poignant approach to movement and theater without words. Literally meaning "untitled", "Sans-titre" explores what it means to be an outsider, undocumented, drawing from what each performer has struggled to overcome in their personal lives, and their strong connection to a shared humanity. Hoghe is known for energizing and destabilizing audiences as he questions our narrow conceptions of normality, himself unencumbered by a spinal deformity.

For more information, call (212) 355-6100 .

The New York City Ballet (NYCB) launches its fall season with a program that includes “Serenade,” the first ballet acclaimed Russian choreographer George Balanchine (1904-1983) created in America. A romantic work of immense sweep, it is set to a transcendent score by Pyotr Tchaikovsky.

The evening continues with “Grazioso,” by NYCB’s balletmaster-in-chief Peter Martins. This bright and virtuosic quartet for three men and a ballerina includes daring technical elements in a variety of solos, duets and trios set to Mikhail Glinka’s sweeping score.

Antonio Vivaldi´s popular "The Four Seasons" concludes the evening by translating the seasons into frosty flirtation, springtime awakening, sultry revelry and an autumnal bacchanal, all set to vibrant melodies.

Tickets are available by calling (212) 870-5570 or Center Charge at (212) 721-6500.

Enjoy a magical night of dance created by George Balanchine (1904-1983), one of the 20th century´s foremost choreographers, a pioneer of ballet in the United States and co-founder of the New York City Ballet (NYCB).

The evening begins with the NYCB performing “Danses Concertantes,” Balanchine’s witty three-person series of works that are simultaneously fanciful and invigorating. The program continues with Balanchine’s “Momumentum pro Gesualdo,” a streamlined leotard ballet that arrests viewers with its formal beauty and simplicity along with “Movements For Piano & Orchestra,” Balanchine’s signature leotard ballet whose dissonance and electric currents sweep on a wave of exacting precision

The program concludes with “Who Cares?” Balanchine’s jazzy big city ballet set to the brassy melodies of composer George Gershwin. Tickets are available by calling (212) 870-5570 or Center Charge at (212) 721-6500.

Award winning composer and choreographer Jerome Robbins (1918-1998) is celebrated by the New York City Ballet in a remarkable night of dance.

The evening begins with Robbins’ “Interplay,” is a distinctly American work embracing the best of jazz and boogie-woogie. Set to Russian composer Sergie Prokofiev’s feverish concerto, “Opus 19/The Dreamer” focuses on a man’s elusive interactions with his ethereal counterpart.

Antonio Vivaldi´s popular "The Four Seasons" concludes the program by translating the seasons into frosty flirtation, springtime awakening, sultry revelry and an autumnal bacchanal, all set to vibrant melodies.

Tickets are available by calling (212) 870-5570 or Center Charge at (212) 721-6500.

A truly epic work, the New York City Ballet performs Russian choreographer Alexei Ratmansky creative version of French composer Édouard Lalo´s ballet “Namouna,” turning it into a series of witty, animated, seaside-stylized dances for seven featured performers and a large ensemble in telling its tale of a slave girl’s adventures.

The company also performs Antonio Vivaldi´s popular "Four Seasons" which translating the seasons into frosty flirtation, springtime awakening, sultry revelry and an autumnal bacchanal, all set to vibrant melodies.

Tickets are available by calling (212) 870-5570 or Center Charge at (212) 721-6500.

The New York City Ballet performs an afternoon of very American dance starting with “Serenade,” the first ballet acclaimed Russian choreographer George Balanchine (1904-1983) created in America. A romantic work of immense sweep, it is set to a transcendent score by Pyotr Tchaikovsky.

Award winning composer and choreographer Jerome Robbins’ “Interplay” continues the afternoon, a distinctly American work embracing the best of jazz and boogie-woogie.

The program concludes with “Who Cares?” Balanchine’s jazzy big city ballet set to the brassy melodies of composer George Gershwin. Tickets are available by calling (212) 870-5570 or Center Charge at (212) 721-6500.

Enjoy a magical night of dance created by George Balanchine (1904-1983), one of the 20th century´s foremost choreographers, a pioneer of ballet in the United States and co-founder of the New York City Ballet (NYCB).

The evening begins with Balanchine’s “Momumentum pro Gesualdo,” a streamlined leotard ballet that arrests viewers with its formal beauty and simplicity along with “Movements For Piano & Orchestra,” Balanchine’s signature leotard ballet whose dissonance and electric currents sweep on a wave of exacting precision. Balanchine’s “Duo Concertant” is a lively dance for a neoclassical couple, set to onstage piano and violin accompaniment, which ends with a poignant play on light and shadow. “Danses Concertantes” is Balanchine’s witty three-person series of works that are simultaneously fanciful and invigorating.

Closing out the night is Balanchine’s signature black and white ballet, rich with ingenious choreography, the symmetries within Russian composer Igor Stravinsky’s brilliant score. Tickets are available by calling (212) 870-5570 or Center Charge at (212) 721-6500.

A truly epic work, the New York City Ballet performs Russian choreographer Alexei Ratmansky’s creative version of French composer Édouard Lalo´s ballet “Namouna,” turning it into a series of witty, animated, seaside-stylized dances for seven featured performers and a large ensemble in telling its tale of a slave girl’s adventures.

The program concludes with “Who Cares?” George Balanchine’s jazzy big city ballet set to the brassy melodies of composer George Gershwin. Tickets are available by calling (212) 870-5570 or Center Charge at (212) 721-6500.